Showing posts with label Films From Germany. Show all posts
Showing posts with label Films From Germany. Show all posts

Monday, June 22, 2020

Born Today June 22: Billy Wilder




1906-2002

Director Billy Wilder needs absolutely NO introduction to classic film fans across the globe! He was one of the 20th centuries most iconic comedic and film noir directors, and a huge fixture in the "golden days" of Hollywood. What may be a little on a the vague side is his start in the film business. Born Samuel Wilder on this day to Austrian German speaking Jews in what was then Sucha, a town in the Gallicia-Lodomeria region of the Austro-Hungarian Empire (now a part of Poland), it was his mother who first nicknamed him "Billie." His parents were very successful bakers and owned a family bake shop in Sucha and tried to get both "Billie" and his older brother William--both of whom were enamored with screenwriting--to join the family business to no avail (although William would eventually get into the business, he first became a designer and manufacturer of purses in New York). Before getting directly into writing screenplays, he worked as both a stage entertainer and a writer of journalism in Vienna. It is hardly a surprise then, that his first screenplay was about journalism. Der Teufelsreporter (or Hell of a Reporter or The Daredevil Reporter)--a late silent film--was written completely by Wilder (as "Billie Wilder") and was produced in Germany by Deutsche Universal-Film, directed by Ernst Laemmle (nephew of Carl), and released in 1929.  Wilder also apperared in the film, which marked his only acting credit, if you don't count a cameo. In 1929, he also co-penned--principally with Curt Siodmak, but also his brother  Robert Siodmak and Edgar G. Ulmer--the experimental film People on Sunday. The film was released in early 1930. He continued to work in Germany as a screenwriter for the next several years, but the rising power of Hitler and the Nazi Party necissistated his move to France to escape arrest and persecution. While in Paris, he formally directed his first film in 1934:  Bad Seed (Mauvaise graine), which he co-directed with fellow ex-pat Alexandre Esway (he also wrote a goodly portion of the screenplay).  He soon fled Europe altogether, setting up in Hollywood, changing the spelling of his nickname to "Billy" in the process. Wilder would, of course, go on to legendary greatness there--receiving a whopping 21 Oscar nominations, winning 8, including the prestigious Irving Thalberg Memorial Award, between the years 1940-1988.  Some of his scripts have been or are currently being remade, including Sunset Boulevard (which is itself based on an Andrew Lloyd Weber musical remake of Wilder's burning original starring Gloria Swanson...yes it's one of my favorites!). Some of his original work was also used in the live television performance in the 1950's series Lux Video Theatre. He is one of the few legendary directors whose works live on through his talent in writing--though he gets less attention for it. Wilder was smart to flee Europe when he did; several members of his family perished in the Holocaust, including his mother and stepfather at two separate death camps. Wilder himself lived a very long life, even becoming a cancer survivor. He eventually succumbed to pneumonia at the age of 95 in West Hollywood on the 27th of March in 2002. He is interred at Westwood Memorial Park (incidintly Milton Berle and Dudley Moore also died on that same day). His headstone reads "I'm a writer, but then nobody's perfect."  Wilder was also famous for a large, comprehensive modern art (and Asian figurines) collection that he emased over his many decades in the United States. Artists in his collection ranged from Picasso to Pollack; Joan Miro to Andy Warhol.  He was also a painter (mostly in oils) himself.






Sunday, May 3, 2020

Born Today May 3: Niccolò Machiavelli



1469-1527

Famous (or infamous, depending on how you look at him) political philosopher Niccolò Machiavelli was born on this day in the independent Republic of Florence in what is now Italy (birth name: Niccolò di Bernardo del Machiavelli). Machiavelli's father was a very prominent local attorney and town/republic citizen servant of Florence. Despite this, and the prominence of the ancestry of the family, Niccolò was never a full citizen of the republic. He was, however, eventually appointed to an official position of production of official Florentine government documents sometime after the year of 1498; he was then elevated to secretary of the Deci di Libertà e Pace. In the first year of the new century, Machiavelli actually raised and led an army of patriotic Florentine citizens, with their attack and defeat of neighboring Pisa. Of course, the writer is most famous for his work The Princea very famous/infamous political work first published in 1532--five years after his death. What needs to be pointed out, is that Machiavelli, though living during the Italian Renaissance, the years spanning his lifetime were also extraordinarily uncertain, violent, and extremely corrupt. Italy was groaning under the strain of an extant and politically corrosive rule from the Vatican--an extension of attempts at continued rule from Rome, the rise of secular city/states and the violent crumbling of the Holy Roman Empire. It should also be pointed out that The Prince can be read as a vicious satire; though if any reader of Machiavelli's works has read his follow up work to The Prince, Discourses on Livy--which masquerades as a history on Ancient Rome--and turns out to be anything but....it is, in fact, more a pure contemporary theory of political thought and conduct--it is clear that he did actually mean a good deal of the "advice" contained in The Prince. Basically, he regarded naked political ambition--open evil behavior to remain in power--more an exercise in a form of honesty, since he firmly believed that politicians were by nature: sneaky, dishonest and secretly criminally minded. To be a politician or ruler, free of "sneaking deception"--a person willing to openly engage in any behavior to stay in power--was a point of recommendation by the philosopher. He is also regarded as one of the most influential advancers in thought to the modern rule of Republicanism.  In the world of film, there have been less the twenty productions of his work on the large and small screen; and only one of those came in the silent era.  That film, Monna Vanna, was a German production and dates from 1922.  The principle writer on that project was one of Germany's first female writers for the screen Olga Alsen. The film stars Paul Wegener--who is famous for his appearances in The Golem films, and Lee Parry--a German leading lady who made her film debut in 1919. The work is based on one of Machiavelli's many fictional/non-political works (a play) and was directed by Richard Eichberg.  It would be almost 20 years before another film based on his work was produced.  The first ever Italian production of one of his fictional tales, The Mask of Cesare Borgia was released in late September of 1941.  His work first came to television another 20 years after this, with the made-for-tv comedy Mandragola which was produced for East German television and broadcast in late May of 1961.  One of the only times that any of his political writings was used in a filmed production was also the first time that his work was used in an actual television series--in this case a mini-series.  The Age of the Medici (1972-1973) was an Italian production with three episodes (and was, interestingly, the debut of American actor Fred Ward).  While the debut of his work in a full television series came in 1976 in the episode La Mandragore of the long running French series Au théâtre ce soir.  To date, the most recent use of his material came in 2010 in the short Canadian produced film Machiavelli's The Prince, which sports a runtime of 30 minutes. Machiavelli's downfall came in 1512, when after a local political upheaval, he was eventually arrested and tortured. After his release, he was effectively banished from Florence for a time (though, he himself, more than once referred to it as "retirement").  He eventually returned to die in the Republic of Florence (of what is not certain) at the age of 58 on the 21st of June.  He is interred in a unique burial located at the Basilica di Santa Croce in Florence. 









Thursday, October 20, 2016

Wednesday, December 16, 2015

Born Today December 16: Sir Noël Coward


1899-1973

Born Noël Peirce Coward in Teddington, Middlesex, England, UK.  He is best known as a influential comedy playwright; but in reality he was the epitome of a Renaissance man:  he was also a composer/lyricist, director, painter, singer and actor.  He possessed a unique and extraordinary wit, with which in invented a form "Englishness" that persisted at least up until and, even through, the British rock invasion of the 1960's.  He was on the unprofessional stage by the age of 6 and acting professionally by the age of 11, while attending dance academy in London (on strong encouragement from his mother).  He is supposed to have written his first play, a drama, by the age of 16.  In 1921, he visited an increasingly swinging New York City and caught "the Broadway bug" in a big way, when a play he was starring in debuted on "The Great White Way."  By this time, he had already appeared in film for the first time, and with no slouch director either; he had two bit parts in D. W. Griffith's Hearts Of The World, which was released in 1918 and is an anthology of series of tales set in Europe about the coming of The Great War (and is currently on Amazon's Prime rental free).  In the silent era, only three films were produced as adaptations of his work; one of the directed by Alfred Hitchcock. The first one was German, Forbidden Love (originally titled "The Queen Was in the Palour"), was made in 1927.  The next was Easy Virtue in 1928, and was directed by Hitchcock before he left England for Hollywood.  The last was The Vortex, also in 1928, based on his infamous play of the same name that had taken New York by scandalous storm earlier in the 1920's.  From then on out, his adapted works were in full sound; and often either included songs that he had written, or were turned into musicals.  One of my personal favorites, is the David Lean directed Blithe Spirit (1945), which he is reported to have worked on the screenplay covertly.  Coward died in Jamaica, on his Firefly Estate, in Blue Harbor on 26 March 1973 of a heart attack, after suffering for many years the condition that is properly known as "hardening of the arteries."  He is buried there.






Statue over-looking his burial slab in Jamaica.

Sunday, September 6, 2015

Born Today September 6: Max Schreck


Max Schreck:  1879-1936

Born Friedrich Gustav Maximillian Schreck on September 6, 1879 in Berlin-Friedenau, Germany, his is the most definitely the most famous face (albeit in heavy makeup) of the silent era in the modern age!  Even the youngest people with any passing knowledge of film know his face.  For a while as a child he lived in Friedenau proper, which has a very interesting history all it's own.  As he got older, he became more and more enamored with the theater, of which is father thoroughly disapproved.  His mother, however, secretly gave him money to study acting, which he did enthusiastically, graduating and got work in a number of live productions all across the country until he ended up in Berlin and Munich.  It was after this point that he began to work in films.  Despite that he's only known widely across the world for Nosferatu (1922), he acted in over 20 silent films (as the silent era lasted much longer in Germany than it did in the US), with his first talkie in 1930 funnily enough being a musical (The Land Of Smiles).  Nosferatu was basically the only horror film he acted in, however he was in one Sci-Fi talkie in 1933 entitled The Tunnel.  It turns out that the vast majority of the films he appeared in were comedies.  He had a reputation of being a rather strange character, a loner, and apparently spent a good deal of time wandering around in forests.  Despite this, he apparently also possessed a unique (some said unusual) sense of humor, and like his American contemporary Lon Chaney Sr., he had a talent for playing grotesque characters, and didn't mind make-up jobs, that other actors had no patience for.  This was helped by the fact that he stood 6'3".  His life was cut short at the age of 56 of a heart attack.  Due to his theater training, he had successfully made the transition into talkies, only to pass away from an early onset of heart failure.  Right up until his death he continued to do live theater; in fact, the night before his death he took a stand-in role as "The Great Inquisitor" in Don Carlos.  His obituary apparently made no mention of Nosferatu (as it was not the well known film then as it became), but rather highly praised a live performance as "The Miser" in a Moliére's comedy.  He is buried in the German cemetery located near Brandenburg--Wilmersdorfer Waldfriedhof Stahndorf. 

Publicity photo of Schreck from 1922, year of Nosferatu

Silent Film Credits


Der zeugende Tod (1921) (a mystery film)



Nosferatu (1922) (as Graf Orlok, his first Horror film)

Nathan der Weise (1922) (formerly lost film, essentially banned in Bavaria by intimidation from the early Nazi party who considered it "Jewish propaganda." It is a historical drama.)

The Jew of Mestri (1924) (shot in 1923, premiered in Finland in 1924, based on Shakespeare's The Merchant Of Venice.)

Die Straße (1923) (a drama)

The Mysteries Of A Hairdresser's Shop (1923) (comedic short, just over 30 minutes long, this remained an unreleased short for years.)

Finances Of The Grand Duke (1924) (A comedy.  A Murnau film, the only other time he worked with the director.)








Dona Juana (1928) (a drama)


Luther (1929) (a biographical and historical drama based on the life of Martin Luther.  Filmed in 1928.)

Scampolo (1928) (a comedy)

Rasputins Liebesabenteur (1928) (an historical drama)

Teenager's Republic (1929) (filmed in 1928)





Ludwig der Zweite, Kônig von Bayern (1930) (a biographical historical drama)

Schreck on the stage.

Entrance into the graveyard where Schreck is buried--the whole cemetery is located in an old grove forest.