1899-1936
Actor (okay Movie Star...uh um Super Star?), mostly of the silent era--but probably best remembered for his talkie roles--John Gilbert was born John Cecil Pringle on this day in Logan, Utah. His last name "Gilbert" was from his step father--he was unaware until later in his life that "Pringle" was his birth surname. His nickname was "Jack" and he was often credited in films as "Jack Gilbert" early on. Though he was born into a show business family--his parents were traveling actors--his childhood was not a happy one. He suffered greatly from being forced from one school to another. Despite this, it's hardly surprising that he got into acting himself. He appeared in his first film in 1915 in the Bison Production of The Mother Instinct--a short drama. He then made a few pictures for Kay-Bee Pictures, before being snapped up by Thomas Ince, who worked at both Kay-Bee in scenario writing, as well as owning his own production company. The first film he appeared in for the Thomas H. Ince Corp. was Civilization in an uncredited part. Several of the films that he had supporting roles in in 1915 & 1916 starred Frank Keenan. He had steady work all through out the rest of the 1910's, albeit in many small roles--but he did work his way up through the ranks and by 1920 he was noticed by director Maurice Tourneur. It was with Tourneur's help that Gilbert would add writing and directing credits to his name. In 1921, he both wrote and directed Love's Penalty (he also aided in the editing of the film as well). He was then signed to a three year contract at Fox Films, hired to play romantic leads. This brought him his first taste stardom. But it wasn't until he made the move to MGM in 1924 that he would become a movie star to rival even the likes of Rudolph Valentino. There he was directed by the likes of King Vidor, Victor "Seastrom" (that'sVictor Sjöström), and Erich von Stroheim. It was reportedly on the set of The Merry Widow (1925), directed by von Stroheim, that Gilbert's birth father introduced himself, this is supposedly when he found out that his original last name was Pringle. By this time he was one of the biggest stars that Hollywood had ever seen. In 1926 he starred in The Flesh And The Devil with Greta Garbo; this ignited a torrid affair between the two that MGM made sure got out into the press. They even actually marketed one of the pairs films--A Woman Of Affairs (1928) around the affair on the film's poster! There were even plans to marry, but ultimately, Garbo broke his heart. He had other troubles as well. His entire tenure at MGM included frequent run-ins with studio boss Louis B. Mayer. The two had frequent and very heated arguments over all manner of subjects to do with the running of the studio--this spilled over into clashes over social matters (in one case, Gilbert may have struck Mayer over a crude remake that he made about Garbo--historians disagree whether this actually took place). The animosity between the two would prove to be the beginning of the end of Gilbert's career. By early 1928, Gilbert had a small in King Vidor's Show People, a partial silent--sound was making it's way permanently into film. His next film, The Masks Of The Devil--a Sjöström movie--had two versions, one mono and one that was partially silent. His first full sound mono film came next, with the above mentioned 1928 Garbo film. It's not that Gilbert had an off putting voice, he didn't and was even greatly praised for his turn in The Hollywood Revue Of 1929 along side Norma Shearer; it would seem that Mayer wanted to use to transitional period to get rid of Gilbert. There was a persistent rumor that Mayer ordered Gilbert's voice altered to sound much higher than it really was, and Mayer also had the power to put him inferior talkies. He also must have begun to suffer the beginnings of the ailment that would eventually claim his life. He did manage to grab one fairly prominent role in 1931, when he was cast in The Phantom Of Paris in a role meant for Lon Chaney Sr.; Chaney died in 1930 and Gilbert was handed the part. His career, however was already in decline and the film did nothing to stop that. Not even a part in the Garbo film Queen Christina (1933), directed by Rouben Mamoulian, stemmed the decline. His last film came when Columbia cast him in The Captain Hates The Sea in 1934. He had been suffering from premature heart failure for some time, not helped by depression or alcohol abuse, and a severe heart attack in 1935. On the 9th of January he had a mild heart attack, but it was enough to take his life, as his heart was so weak. He was just 36 years old. [This, unfortunately still happens today, famed True Blood actor Nelsan Ellis passed away just two days ago from the same ailment at the age of 39]. During his time in Hollywood Gilbert was known to be quite the ladies man, he was linked with a number of starlets. At the time of his death, he was seeing Marlene Dietrich. He was cremated and interred at Forest Lawn Memorial Park in Glendale.
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1901-1960
Born William Clark Gable in Cadiz, Ohio into an oil family; his father William Henry Gable was an oil driller. Though he was named after his father, who went by the nickname "Will;" little William was always known by his middle name from early on in life. At just 10 months, he lost his mother to what people now speculate was a brain tumor. His father remarried in 1903; it would be his step-mother who introduced to the first performances, teaching him to play the piano. He then took up brass instruments. By 13 his was the only boy (meaning minor), in the local men's town band. He also, reportedly, had a love of language and memorized Shakespeare sonnets, which he could recite in an impassioned tone. By 1917, his father had hit financial hard times and decided to go into farming, moving the family to Ravenna, Ohio (which is near Akron), after settling his debts. His father insisted that Clark work on the farm; but he soon, reportedly, left to work at tire factory in Akron itself. Apparently, while there, he attended a performance of the play The Bird of Paradise, which inspired him to become an actor. Though he had to wait until the age of 21, when he inherited some family money, to embark on that venture. He began touring with a theater company, which eventually landed him in Seaside, Oregon--eventually leading to various jobs in and around Portland to make ends meet. While there, he met stage actress Laura Hope Crews, who had already made her film debut (she would later play Aunt Pittypat in Gone With The Wind). She is responsible for his return to the stage, landing him in another theater company. During this time, he met the manager of the Little Theater, Josephine Dillion. She became his acting coach & patron, and later his first wife. He was 17 when he met her, and she was 17 years his senior. Not only did she successfully coach him all aspects of acting, she also paid to have his teeth fixed and put onto a path of beefing up his undernourished, lanky body. After quite a long period of time, she decided that he was ready to present to the motion picture industry. She moved to Los Angeles in 1924; he followed her a short time later. He had been acting under the name "W. C. Gable," but she convinced him to agree to be presented by his childhood name, figuring that it had a much more appealing ring to it. Clark's film debut actually came the year before this, in the sports serial Fighting Blood; which also saw the film debut of June Marlowe. Both were in only very minor roles. The film was produced by the Robertson-Cole Pictures Corporation. His first credited role came in White Man in 1924; this is widely cited as his film debut--it wasn't. From here on, he found steady work in films, but only in bit and/or uncredited parts; some which came in very famous films, up through 1926. During this period of time, he was in Eric von Strohiem's The Merry Widow (1925), Ben-Hur: A Tale Of Christ (1925), and Johnston's Flood (1926), which saw not only himself in an uncredited role, but also Gary Cooper, and, more importantly, Carole Lombard. Frustrated with not getting bigger roles and more name recognition, he quit film acting in 1926 to return to the stage; he wouldn't return again until 1930. This last silent film that he was in was One Minute to Play, where is was merely an extra. It was during the late 1920's that he first met Lionel Barrymore, who despite being very unimpressed with Gable's stage acting ability, went on to encourage him to hone his stage craft--Barrymore went on to be a life-long friend. During this time, Gable acted live in Houston at the Laskin Brothers Stock Company, where he became a local matinee idol. From here, he moved on to New York, seeking work, with Dillion, on Broadway. He did find some work, and at least one of his performances was written up favorably (if a little "Woody Allensy") in the press. But the emergence of talking cinema, and the beginning of the Great Depression, caused the cancellation of many plays on Broadway. Back to Los Angeles Gable went, finding work on the stage there for the first time. After staring in successful production of The Last Mile, he was offered at contract at MGM. The rest is basically well known cinema history. Of course, the role that stands, like a giant, is his Rhett Butler in Gone With The Wind (1939)! Before this, he had stood out in the goofy Frank Capra re-marriage comedy in 1934 It Happened One Night, in which he starred opposite Claudette Colbert; this earned him the Oscar for Best Actor in a Lead Role. He would also go on to marry Carole Lombard in 1939, his third marriage--having married a socialite between Dillion and Lombard. Lombard famously died in a plane crash at the beginning of World War II on her way home from selling war bonds--killing all 22 on board, including her, her mother, and 15 active service members. Gable received personal condolences from President Roosevelt himself--who declared Lombard a casualty of war. Everyone who knew him, said he was never the same after this. He actually joined the U.S. Army Air Force (now just the Air Force), and managed--though MGM tried at every step to turn this into a stunt--( even going so far as to have one of their own enlist with Gable); he did persevere, and wound up in England in 1943 with the 351st Bomb Group, at the rank of Lieutenant. He flew 5 combat missions, including one into Germany. That sortie, left one crew member dead, two other seriously wounded--and Gable himself, narrowly missed being killed as well. This earned him the Air Medal and Distinguished Flying Cross. MGM, finding out about this, began to pester the U.S. armed forces to reassign him to a less dangerous post. Gable was allowed leave to return to the U.S. that same year, to finish a film. In 1944 he was promoted to Major, and was eager to return combat. However, after the invasion of Normandy, he was relieved of active duty. His discharge papers were signed by one Captain Ronald Reagan. He resigned his commission in 1947, one week after the Air Force became an independent branch of the U.S. military. [As aside note: apparently Gable was Adolf Hitler's favorite American actor. After hearing that Gable was on active combat duty in Europe, he reportedly offered a sizable reward for anyone who could capture him and bring him to Berlin unscathed.] By the end of the war, he had won a great many medals and commendations. After the WWII, he lived another 15 years, having numerous affairs, two more marriages; and basic dissatisfaction with the roles he was playing, despite that he was the highest paid actor at MGM, probably all of Hollywood, at the time. On November 6, 1960, Gable suffered a major heart attack. He died 10 days later on the 16th, from an arterial blood clot at Hollywood Presbyterian Medical Center in Los Angeles; leaving behind a pregnant young wife. His son, one of two that he had, John Clark Gable, was born in the same hospital where his father died some four months after Gable's death. Clark is interred next to his third wife, Carole Lombard Gable in the Great Mausoleum at Forest Lawn in Glendale, CA. Many people blamed the over taxing situation on this last movie set for The Misfits, released in 1961, for his untimely death at the age of 59.
