Showing posts with label The Return Of Boston Blackie (1927). Show all posts
Showing posts with label The Return Of Boston Blackie (1927). Show all posts

Friday, March 8, 2019

Born Today March 8: Arthur F. Beck


1887-1978

Producer/Presenter (mostly of the silent era) Arthur F. Beck was born somewhere in the state of Indiana today in 1887. Beck is probably best remembered for being the husband of pioneering female film screenwriter and actress Leah Baird, whom he married in 1914. His history is scarce and it is probable that he was involved in films (and possibly theater) long before his current first film credit in 1919.  He enters film history as an executive director of the Artco production The Capitol (1919), a film that starred his wife, was written and directed by Augustus Thomas and was directed by actor George Irving. His dozen or so credits during the 1920's range between 1920 and 1927.  In 1920, he solely produced the Stuart Holmes 15 part western serial Trailed by Three, directed by Perry N. Vekroff under his own company Arthur F. Beck Serial Productions (the series was distributed by Pathé Exchange). As enterprising as the company sounded, it would only turn out two  additional titles, which Beck "presented:" Baird's When Husband's Deceive in 1922 and Destroying Angel in 1923.  His wife had her own production company, which had it's own studio in Cliffside, New Jersey; so it is understandable that he also worked as a producer under that outfit. The company in fact lent out, or rather rented out, space to other companies, and it was in the capacity of producer/presenter that he worked on The Harvest Moon, a 1920 J. Searle Dawley drama that was shot at the Leah Baird Studios (the film starred Doris Kenyon ).  He also worked as a general supervisor on a few productions; and, undoubtedly the most well known picture that he supervised was  The Return Of Boston Blackie, a film in which his wife adapted a popular novel of writer Jack Boyle in 1927. He was also a producer on the 1926 crime drama  Shadow of the Law, a lost Wallace Worsley film, adapted the the screen by Baird and starring Clara Bow. The "Boston Blackie" film was the last silent film that he produced. He worked on two full sound film in the 1930's as a producer--one uncredited and directed (in part) by Harry O. Hoyt, who was the director on the Boston Blackie film, amongst others Beck worked on in the 1920's (the film was the Anita Page crime adventure Jungle Bride (1933)). His last film credit comes as a producer of the lesser Paramount drama Sky Parade released in 1936.  He and Baird both retired from the film industry--both having long since moved to the Hollywood area.  Beck died there at the age of 91 on the 17th of July in 1978. There is no information as to his cremation or burial. His wife's ashes are interred at the Hollywood Forever cemetery--but a careful search of their records shows no Arthur Beck listed. 


IMDb

Tuesday, June 20, 2017

Born Today June 20: Leah Baird


1883-1971

Early silver screen star turned screenwriter Leah Baird was born on this day in Chicago, Illinois. Like nearly all of her acting contemporaries of the time, she got her start on the stage.  First as a very young woman on summer stages; and later in traveling companies.  At one point she was acting across from Douglas Fairbanks in a touring show.  This got her noticed by filmmakers, with Vitagraph signing her to a contract.  Her first film was Jean And The Waif in 1910.  She actually began her screenwriting earlier than most suppose, given her later work on Clara Bow films in the 1920's.  Her first writing credit came in 1912 in The Dawning; the scenario was wholly original to her, and she also starred int the film. With her contract up at the end of 1913, she worked at the Independent Moving Picture Company of America, before landing at Universal.  The first film that she made for them was Neptune's Daughter (1914), which is a lost film.  She was popular enough to be featured in Universal's one-reel promotional The Great Universal Mystery featuring the studio's current stars.  After making just the one film for them, she went back to Independent (I'm guessing Universal wouldn't allow her to write--just a guess).  By late 1914, she was back at Vitagraph.  From 1916, she was making films with various studios, including a few back at Universal.  She added a production credit to her name in 1920, serving as the executive producer on Cynthia Of The Minute, a film she helped pen and also starred in.  The film was made in concert with her recently founded Leah Baird Productions and Gibraltar Pictures.  She continued to work in the business through 1927, when she took a break.  The last film that she wrote for in the 1920's came with her adaptation and screenplay for The Return Of Boston Blackie (1927), the film was made at Chadwick.  Her last acting  job in the silent era cam in the short King Harold (1927).  She returned to pen Jungle Bride, an Anita Page talkie, in 1933.  She did not return to acting until the 1940's.  Her appearance in Bullets For O'Hara in 1941 marked her first acting job in a sound picture.  Her last acting job came in 1957 in an uncredited role in The Hard Man, a western.  She then retired for good.  She died in Hollywood in 1971 at the age of 88 on October 3rd from acute anemia.  Her ashes are interred at the famed Hollywood Forever Cemetery in the Haven of Worship located inside the Abbey of Psalms.  Baird was married to film producer Arthur F. Beck.




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