Showing posts with label The Diving Lady (1929). Show all posts
Showing posts with label The Diving Lady (1929). Show all posts

Sunday, March 12, 2017

Born Today March 12 (Not So Silent Edition): Thomas Augustine Arne


1710-1778

English composer Thomas Augustine Arne was born in Convent Garden, London, UK on this date to an Catholic mother and an Anglican father.  Despite that his grandfather and father, both ulpholsterers, had fallen on hard times (his grandfather actually died in a debtors prison), his father had saved enough monies back to have young Thomas educated at Eton.  The young Arne showed a very early interest in music and smuggled a spinet into his room to practice on during the night when the rest of the family slept.  He also would dress up as a liveryman to gain access to the opera, which eventually lead to his having an apprenticeship of sorts with musician and composer Michael Festing; who among other things, taught Arne to play the violin.  When he finished school, he was articled to a solicitor for a period of three years.  He had, though, continued to work with Festing; a situation that his father found out about.  Festing was mostly likely the person responsible for persuading Arne's father to allow him to leave the legal service and pursue a career in music instead.  What Arne is by far and away most famous for is his composition Rule Britannia; he also penned A-Hunting We Will Go and a version of God Save The King (which in movies, he is also credited for when it is listed as God Save The Queen).  Three partial-sound or full sound films made use of his Rule Britannia and one short featuring "Hunting" were made in the late 1920's.  The first of these is a very famous, one could say infamous, film:  the Paramount produced, William A. Wellman directed (at least most of...) Wings, starring Clara Bow and Charles Rogers.  The film was made in 1927, but not released formally until 1929.  The mono musical score and sound effects were furnished by Western Electric.  The Divine Lady (1929) was also a partial sound film.  The first full sound film featuring his music also came in 1929, with the Mickey Mouse short animation When The Cat's Away, featuring sound from the Powers Cinephone Sound System; this marks the first use in a film of A-Hunting We Will Go.  Finally, the first all sound feature film to use the work was Disraeli (1929). Rule Britannia was used next in King Of Jazz  in 1930.  Of course, over the decades, such well known music has been used in dozens of films from the likes of The King and I  to Minions.  The most recent use came last year in the series The Crown.  Arne died at the age of 67 close to the place of his birth in London on the 5th of March, just shy of his 68th.  He is buried in St. Paul's, Covent Garden, a church designed by the renowned Inigo Jones; it is known as "The Actors Church."

Scene from When The Cat's Away (1929)


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Sunday, January 17, 2016

Born Today January 17: Grant Withers


 1905-1959

Born Granville G. Withers in Pueblo, Colorado; the actual year of his birth differs in various sources, but his grave marker states 1905.  Apparently he had always wanted to break into movies; but worked as an oil company salesman and as a newspaper reporter before breaking into films in the well into the 1920's.  His first appearance in film came in 1925 with a bit part in a comedy short featuring the, by then, overdone theme of The Vamp entitled So Long Bill.  By 1926 he had steady work.  For an actor with no stage training or appearances, he is rare example of someone who successfully made the transition to talking roles with no formal training.  His first sound film came in 1929.  The Greyhound Limited was one of those films that had both a silent version and full talking version, with sound by Western Electric with Vitaphone technology.  The film that he made next was his first in mono.  Saturday's Children also had sound provided by Western Electric with the soundtrack and sound effects on one track and the mono talking sequences on another; this film, too, had a silent alternative version.  His following film The Divine Lady (1929), reverted back to the partial silent sound mix, with the dialog being silent and the soundtrack and effects manufactured with the Western Electric Apparatus.  Madonna of Avenue A (1929) was his first full sound film, with the sound mix being Vitaphone. It was directed by Michael Curtiz, who would go on to direct Casablanca. His last film in the 1920's was Tiger Rose (1929), a Canadian Mounty adventure film.  He continued to work right up to the time of his death in 1959 at the age of 54.  On the 27th of March he committed suicide in North Hollywood by taking a deliberate overdose of barbiturates and left a short suicide note apologizing to his family.  He had increasingly been suffering from serious health issues, including horrible back pain that kept getting worse.  He is interred at the Great Mausoleum at the famous Forest Lawn Memorial Park, in Glendale.  In all, he appeared in over 200 films.