Showing posts sorted by relevance for query edwards. Sort by date Show all posts
Showing posts sorted by relevance for query edwards. Sort by date Show all posts

Saturday, June 24, 2017

Born Today June 24: J. Gordon Edwards


1867-1925

Canadian born silent film director J. Gordon Edwards was born on this day in Montreal.  Like so many silent film pioneers, Edwards got his start in the theater; first as an actor, then as a director at the Suburban Garden Theater in St. Louis, Missouri.  He would go on to be Theda Bara's favorite director, whom he directed some 22 times.  He made his film debut in 1914, directing St. Elmo for Balboa Amusement.  He was then hired by Fox, where he was trusted with a good number of their largest budget films.  The first film that he made for them was The Celebrated Scandal in 1915, starring Betty Nansen.  He added writing to his list of accomplishments in 1915 with Blindness of Devotion.  He first directed Bara in 1916 in Under Two Flags (like so many Bara/Fox films, this film is lost); the film represents his only producer credit.  One of his most important films with Bara came in 1917 with the now also lost Cleopatra.  In 1921, he directed the huge epic The Queen Of Sheba, complete with a very elaborate chariot race (again, it is another lost Fox film)--the film represented one the largest budgets in the then hence-to history of the famed studio.  His last time in the directing chair came with It Is The Law in 1924.  Edwards died the following year in New York City from pneumonia on New Year's Eve (1925) at the age of 58.  He is buried in a very elaborate tomb resembling the Taj Majal in Kensico Cemetery in Valhalla, New York.


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Wednesday, June 14, 2017

Born Today June 14 (Not So Silent Edition) : Cliff Edwards


1895-1971

Clifton Avon Edwards, who would later be known as "Ukulele Ike," was born in Hannibal, Missouri to a family of means.  Edwards left school at the age of 14 and moved first to St. Louis and then to St. Charles, Missouri.  In both places he worked to make ends meet by performing as a singer in saloons.  Since many of these places either had broken pianos, or none at all, he taught himself to play the Ukulele to have accompaniment to his singing.  This is when he was dubbed and billed at "Ukulele Ike" by a club owner.  He began to float into the realm vaudeville, and soon found himself on the stages of New York, via Chicago, with headlining acts.  There he also performed with the famous and wildly successful Ziegfeld Follies.  In 1919, he made his first phonograph recording.  From there on, he consistently made further phonograph recordings, some that focused on scat jazz singing.  This led to a contract with Pathe Records, a music division of one of the first companies to enter the motion picture industry.  During the 1920's he gained more and more popularity.  His first film appearance came in 1929 in Marianne a fully mono early talkie with sound provided by Western Electric.  He made 1 additional film in 1929 with full sound provided by Western Electric.  He also became a major voice on radio.  During the 1920's he had amassed a small fortune. After his film debut, he had a long appearance in film, mostly in shorts throughout the rest of his career.  In the mid-1950's he got into television voice work as the voice of Disney's Jiminy Cricket, which was the character that would dominate the rest of his career.  Suffering from substance abuse, including extremely heavy smoking, along with the squandering of his money, by the early 1960's he found himself in real straits.  He was said to have hung around the Walt Disney studios hoping to find work during this period of time.  By the time of his death on the 17th of July from cardiac arrest brought on by heart disease, he was living penniless in a convalescent hospital--he was 76.  Sadly his body went unclaimed and was donated to science at UCLA.  When the Disney corp. found out about this, they put a plan in place to pay to have his body released to them for burial.  In the end, this was paid for by the Actor's Fund of America and Disney paid for the burial marker.  He was then buried in Valhalla Memorial Park.  Disney was careful to include his vaudeville nickname on the marker.



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Friday, September 1, 2017

Born Today September 1: John W. Boyle


1891-1959

Cinematographer John W. Boyle was born on this day in Memphis, Tennessee.  By the end of his career, he had shot over 150 films, but he got his start solidly in the silent era.  His first film was Greater Love Hath No Man in 1915.  He was in fact, the cinematographer on a film starring Arthur Shirley (II), who was written up yesterday on this blog; the film was The Fall Of A Nation (1916).  By 1917,  he was working for Fox and photographed a great many of their late 1910's iconic films (most of them sadly lost)--including a great many of the Theda Bara/J. Gordon Edwards films.  Even after Edwards was through directing Bara, he kept Boyle on as his cinematographer.   He, for example, shot the now lost Edwards' directed The Queen Of Sheba (1921), which features Betty Blythe who also had a birthday on the 1st of September. From 1922 on, he was working at various studios, including: Metro, Warner Bros.,  and Goldwyn.  He was given top jobs at some the earliest merged studios as well.  1928 brought his first brush with early talking pictures; he was director of photography on The Good-By Kiss a partial sound film directed by the great Mack Sennett, for whom he worked in the late silent era.  He next worked on a short film of Sennett's that had an experimental two-color technicolor sequence: The Campus Carmen (1928).  Sennett's next comedic short The Lion's Roar (1928) was a full sound affair that Boyle also photographed.  Also by 1928, he gained the attention of up and coming directors working under Sennett's umbrella at Sennett Comedies--one of them was Frank Capra.  These aquntiances would serve him well later in his career.  The over-whelming bulk of the films that he shot in the late 1920's and early 1930's were shorts around 20 minutes long.  In 1928 and 1929, he also served as president of the American Society of Cinematographers.  Boyle worked right up until the time of his death, having made his television debut in shooting seven episodes of Big Town in the early 1950's.  The last film that he shot was Courage of Black Beauty in 1957.  Boyle passed away in Hollywood on the 28 of September 1959, almost one month to the day after his 68th birthday.  He is interred at the Hollywood Forever Cemetery.  In 1965, some of his archive footage of Abbott and Costello was used in The World Of Abbott and Costello.  




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Wednesday, January 13, 2021

Born Today January 13: Adrian Johnson



1883-1964

Known mostly for his work with Fox, Adrian Owen Johnson was born on this day in Knoxville, Tennessee. Though he had older half siblings, the fact that he was the only child of his military father's third and last marriage, and that his father died when he was just three years of age, meant that Johnson effectively grew up without brothers or sisters. Despite losing his father at such a young age, the fact that his father came from a very well connected family meant that he had educational options in life that most children in his situation would not have. He eventually completed a college degree and at some point began to write scenarios for films. Though when he is remembered in film history, it his connections to Fox and some it's most famous Theda Bara's films, he actually got his start in the business at Metro, moving over briefly to Mirror Films. Dates are hard to pin down owed to very little information about his life having been preserved. There is some evidence that his earliest scripts may date from 1913 or 1914 and that he landed his job at Fox sometime (probably late) in 1915--the earliest film credit that has his name actually attached to it dates from 1916: The Marriage Bond, a melodrama directed for Mirror by Lawrence Marston.  The earliest Fox film that we have definite credits for that has his name attached as a screenwriter is Romeo and Juliet, released in October of 1916. The film starred Theda Bara, was, obviously, an adaptation of Shakespeare, and is amongst the many Fox/Bara productions lost (as far as any knows, the only known copy was burned in the infamous Fox fire of 1937 in New Jersey). His last adaptation for Fox came in 1919 with Checkers based on Henry Martyn Blossom novel. Along the way, he was a writer on some of Fox's most famous lost films of the 1910's, including the   J. Gordon Edwards films Camille (1917), Salome (1918) & the nearly two hour long Madame Du Barry (1917). He was also a writer on the World War I Fox production Why America Will Win and what can only be assumed was a "silent screw-ball comedy" Tell it to the Marines (1918).  In this modern age, the most historically significant film that he adapted for the screen was Cleopatra. Dating from 1917, and also directed by Edwards, this was amongst the more famous films that Theda Bara starred in outside the "vamp" role in her Fox career. The film is one is one of the biggest laments of lost silent cinema history. It is this film that was the subject of a "video reconstruction" by Phillip Dye in 2017. Johnson's first screenplay post Fox, was an adaptation of a popular Cosmo Hamilton novel at a new production company: The Miracle Of Love  (1919).  He next went on to work for Marion Davis' production company. His first screenplay of the 1920's was for her; a crime vehicle April Folly, an adaptation of a Cynthia Stockley serialized story, it is a film very much still available for viewing.  From this point forward, Johnson wrote for a variety of production houses, including a couple for British companies (see, for example, Carnival (1921) and His Wife's Husband). One of his later screenplays was for a film that starred Baby Peggy who passed away not quite a year ago; The Darling of New York (December 1923) was her first feature and was written with director King Baggot.   The Look Out Girl was his last screenplay to be produced in the 1920's. The film, a mystery/crime melodrama, was a late presentation of  A. Carlos (himself more than a bit of a mystery) and his Carlos Productions; it was directed by Dallas Fitzgerald and starred Jacqueline Logan as "the look out girl" turned bride to a wealthy doctor. He was involved in five screenplays--to varying degrees--in the 1930's. The first of these was The Jazz Cinderella (September 1930)--starring Myrna Loy and Jason Robards Sr.--where he was involved with a bank of writers working for Chesterfield Motion Pictures Corp.  He worked for them for one more film in 1931, another domestic crime film The Lady from Nowhere with Alice Day.  The last film that he that he is known to have worked on for sure was a "custody melodrama" Found Alive, released in April of 1933.  After 1935, he was associated with just one other title and rather infamous one at that...at least where I come from in northern Florida. He is thought to have provided some of the narration dialogue for the "documentary" Killers of the Sea in 1937 (shot in Panama City, Florida--people remembered Captain Caswell locally).   Johnson stayed in Los Angeles for the rest of his life, where he sold a "full proof" screenwriters guide via mail.  He was married to silent film actress Margaret Cloud and they remained married until his death on the 14th of September in 1964 at the age of 81. He was cremated; his wife followed him in death six years later. 
 
 
 

 
 
 


 

 

Friday, March 19, 2021

Born Today March 19: Betty Nansen


1873-1943

Danish actress Betty Nansen was born Betty Anna Maria Müller on this day in Copenhagen. Nansen was primarily a theater person, but she did appear in a handful of silent films in the teens. She made her stage debut in 1893 in the city of her birth and by the mid-1890's she was a solid fixture in the theater scene, becoming a national star of the time. Though her film career, such as it was, is recorded as being a product of the U.S., she actually made her film debut domestically in 1913 in a Nordisk short melodrama During the Plague, but she is in no way the star of the film, that accolade went to Rita Sacchetto, a German actress of Italian descent.  The "U.S." designation of her film career is a misnomer in any case, as she did not in fact make her American film debut until 1915 when she was cast in the lead role of The Celebrated Scandal, a Fox production co-directed by J. Gordon Edwards and James Durkin. In the time between her film debut and her American film start, she appeared in Danish productions directed August Blom, Holger-Madsen (who was also the director of During the Plague) and Robert Dinesen. While at Fox, she appeared in four films directed by Edwards (one of their top directors at the time); the best known of these was the 1915 production of Anna Karenina.  The venture was not the success that she envisioned it being, and when movie stardom did not arrive she decided to return to Denmark. Her last American film was The Song of Hate (September 1915).  Upon her return, she only made two more films during her long acting career; both were directed by Blom.  In 1916, she had a small supporting role in in his domestic drama Sønnen.  Her last film was En ensom Kvide, released in May of 1917; in it Blom cast her in the female lead.  After this, she comfortably settled back into theater work; taking over management at a theater that would eventually be renamed for her: now the Betty Nansen Teatret. She managed the theater for over a quarter of a century and was still in management at the time of her death on the 15th of March in 1943.  She was only four days away from turning 70.  Interestingly, there are a number of public burial records of actors who worked at her theater, but none for her presently.





Monday, September 21, 2020

Born Today September 21: George Dewhurst


1889-1968

British writer, actor and director George Wilkinson Dewhurst was born on this day in Preston, England (located in Lancashire). He most likely made his film debut as an actor in the 1917 war drama The Man Who Made Good (on which he received a production credit).  It did not take him long to become a film maker himself. The Live Wire ( a film now sadly lost to us) was written, directed, shot and produced by Dewhurst; the film also served as the film acting debut of Ronald Coleman.  Despite that he was keen to direct his own projects, he did continue to act in films directed by others; though he generally had a hand in either writing and/or producing them.  He appeared several films by directors who have become legendary in film history, with Cecil M. Hepworth with out a doubt being the most important among them with whom he worked on several films, the first of which was Helen of Four Gates in 1920 (but he also worked with Lupino Lane, Henry Edwards and George Bellamy) In the end Dewhurst had almost as many credits as an actor as he did as a director, but it is as a writer that he had the most credits.  In fact, he had a for a time a writing partnership with Hepworth, with the vast majority of his scripts being adaptations from novels and plays.  As a director, the two most well known actors with whom he worked with were Irene Rich (see What the Butler Saw 1924) and Alice Joyce (see The Rising Generation 1928).  His last silent film with a writing credit was a short made for British Gaumont:  Bright Young Things in 1927.  In 1928, he directed The Rising Generation with prolific British silent director Harley Knoles .  He did work into the 1930's, with an all sound version of A Sister to Assist 'Er in 1930 (based on a play that he adapted for the screen, and first filmed in 1927 as a silent for Gaumont) representing his first film of the new decade. But Dewhurst went bankrupt in 1932 and he never fully recovered. From then on, only directed two more projects (both of them versions of A Sister to Assist 'Er) and only wrote six additional screenplays. His last film (and only film in the 1940's) was his 1948 version of A Sister to Assist 'Er.  He was then out of the film business, reportedly finding himself homeless at some point during the 1950's. Dewhurst died in South London on the 8th of the November in 1968 at the age of 79. I can find no information as to his burial.





Tuesday, June 27, 2017

LIST


Graves Of Silent Stars


*sorted by Cemetery


Allegheny Cemetery Pittsburgh, Pennsylvania 


Lillian Russell

Alter St.-Matthäus-Kirchhof Berlin, German

Jacob Grimm (on right--The Brothers Grimm)

Jeanne Eagels under her birth name of "Eagles"

Former resting place of John Barrymore, now empty

Dolores Costello


Elaine Hammerstein

Lola Lane

Ramon Navarro

Calvary Cemetery Queens, New York City, New York

Una O'Connor (listed under birth name first)



June Marlowe


Corsier Cemetery Corsier-sur-Vevey, Switzerland 

Charlie Chaplin

Deansgrange Cemetery Dublin, Ireland

Grave of Barry Fitzgerald (under his birth name)


Duck River Cemetery Old Lyme, Connecticut


Elsie Ferguson

The Evergreens Cemetery Brooklyn, New York

Guy Coombs

Etna Town Cemetery Etna, California

John Emerson

Ferncliff Cemetery, Hartsdale, New York

Richard Barthelmess

Joan Crawford

Judy Garland

Basil Rathbone


Wally Albright


George Archainbaud

Clara Blandick


William Boyd


Clarence Brown

Johnny Mack Brown
Frances X. Bushman
David Butler


Lon Chaney Sr.


Julia Dean

Marie Dressler


Romaine Fielding

W. C. Fields

Clark Gable

John Gilbert

Alan Hale Sr.


Alice Hollister

Rex Ingram (Director)


Doris Kenyon


E. K. Lincoln


Carole Lombard


Anita Louise

Rouben Mamoulian

Victor McLaglen


Merle Oberon


Charles Ogle

Nance O'Neil



Ruth Roland


Lewis J. Selznick

Lowell Sherman

Irving Thalberg

Ben Turpin

Grant Withers

Ed Wynn

Forest Lawn Memorial Park Hollywood Hills, CA

Lloyd Bacon

Mary Brian

Reginald Denny

Robert Florey


Buster Keaton

Kenneth MacDonald


Guinn "Big Boy" Williams

Forest Home Cemetery Milwaukee, Wisconsin

Charles King


Flushing Cemetery Queens, New York


Muriel Ostriche
Golders Green Crematorium Golders, Greater London, England, UK


Frederick Kerr


Graceland Cemetery Chicago, Illinois

William Pinkerton


Grand View Memorial Park Glendale, California


Edna Purviance

Green-Wood Cemetery Brooklyn, New York

Frank Morgan

Ralph Morgan

George Francis Train


Erville Alderson



Leah Baird

John W. Boyle

Émile Chautard



Harry Cohn


Bebe Daniels



Douglas Fairbanks Sr.

Douglas Fairbanks Jr.

Janet Gaynor


Roscoe Karns


Benjamin H. Kline



Edgar Lewis

Tyrone Power

Mickey Rooney


Phil Rosen

Elijah Tahamont aka Dark Cloud

Estelle Taylor

George Loane Tucker

Rudolph Valentino

Clifton Webb


Fay Wray

Holy Cross Cemetery Culver City, California

Frank Albertson

Mary Astor

Ray Bolger

Gary Cooper, former tomb, is now empty, he was reburied in Southampton, New York


Bing Crosby

Wallace Ford

Henry King


Rudolph Maté

Winfield Sheehan


Home Of Peace Memorial Park  Los Angeles, California


Harry Rapf


Ivy Lawn Memorial Park Ventura, California


Ethel Clayton

Kensico Cemetery Valhalla New York



Lee Beggs

Billie Burke


May Irwin

Ikegami Honmoji Temple Tokyo, Japan

Kenji Mizoguchi


Maryrest Cemetery Mahwah, New Jersey


Grave of Alice Guy

Mount Hebron Cemetery Queens, New York

Bertha Kalich

Panteón de Dolores Mexico City, Mexico

Lupe Velez

Private Burials Or Singular Burials

Will Rogers Will Rogers Memorial Museum Claremore, Oklahoma

Leland Stanford Campus of Stanford University, Stanford, CA

Rockland Cemetery Sparkill, New York

Henry Hull

Rosehill Cemetery Chicago, Illinois

Milton Sills



San Fernanado Mission Cemetery Los Angeles, California

Alice Joyce

Sleepy Hollow Cemetery Sleepy Hollow, New York

William A. Brady


St. Agnes Cemetery Mennads (greater Albany), New York

Robert G. Vignola

St. Leonard's Church Hove, Sussex, England

C. Aubrey Smith


Valhalla Memorial Park North Hollywood, CA

Yakima Canutt

Cliff Edwards

Oliver Hardy

Dell Henderson

Kermit Maynard

Sam McDaniel
Mabel Paige

William Tracy

Woodlawn Cemetery
 The Bronx, New York

Herbert Brenon


Harry Carey

George M. Cohan, family Mausoleum 

Ricardo Cortez

Roi Cooper Megrue

Woodlawn Cemetery Santa Monica, California

Paul Fix

Florence Lake