Showing posts with label Movie Clip. Show all posts
Showing posts with label Movie Clip. Show all posts

Thursday, October 13, 2011

Les Vampires (1915-1916) Part 10


Finally episode 10 of the ground breaking French serial Les Vampires.  My edition is the two disc edition put out in 2005 (which sadly is out of print and expensive).  This edition contains a lengthy liner notes essay by Fabrice Zagury.  It is a lengthy read, but worth the time, starting with Louis Feuillade's beginnings through to the film's posterity.  I think he stresses some key points as the the film making of Feuillade's place as a true pioneer in early cinema over all, and I believe, in early horror films in particular.  




He says of Fueillede in the important year of 1913, when Gaumont started producing true feature length films; "In the  eyes of posterity and from this moment on he would remain the glorious pioneer of the serial film.  Les Vampires, which describes the achievements of a secret society of criminals and their muse, is regarded as Feuillade's masterpiece in this genre.  It was shot during the war in the empty and grey streets of Paris."

Passerby inspecting a Vampires poster
He later concluded:  "Feuillade, the father of the Vampire, enriched the collective imaginary of the French by exploiting the latent fascination and magical powers coming from the serial film."  Here is the final installment of his ground breaking Vampires.


Wednesday, October 5, 2011

Les Vampires (1915-1916) Part 3



Just a bit about director Louis Feuillade

Born in 1873, during his lifetime, Feuillade would go on to direct a whopping 700 films!  He actually wrote 800 screenplays in his lifetime as well.  His film career started Le Maison Gaumont in 1905.  He starting directing films for them in 1906, starting with Un coup de vent under artistic production director Alice Guy (who was the first woman in world ever to direct a film).  He directed or produced 9 short films that year. In 1907, after Mll. Guy left the company,  he was promoted to artistic director in charge of production, her old job.  It was from this position that he film making career really took off.


Though all early filmmakers started out making shorts, even long after solid narrative scripts of stories entered the picture, there are a few that quickly progressed on to something more.  In the United States, D. W. Griffith was constantly trying to find was to lengthen his films in one sitting.  He had experimented with movies in parts, but it was a format that didn't suit him.  So his work pioneering lenght of film is well documented and well regarded, he is the the father of the feature.  Louis Feuillade also deserves credit for the advancement of the length of a filmed story; but his approach was in pioneering and promoting serials.  By 1910 his serials were well established, by 1913 Gaumont began to produce feature length films and along came his Fantomas series.  It remains his most successful series after Les Vampires to this day.  

Still from Fantomas
Fueillade was above all a director who loved to tell a story, and resisted later efforts, especially in France, and especially after World War I, in intellectualized film to a point that most of the narrative was pushed back out.  Famed director in his own right, René Clair, who started out as Fueillade's assistant said of his days working on serials with him "very often we started a film in 12 episodes without knowing how we would finish it."  Feuillade himself later commented 1920, "A film is not a sermon or a conference, even less a rebus, but a means to entertain the eyes and spirit."  He was known to be quite a humble man, the son of wine makers, he appreciate the wider audience, and didn't at all cotton to the new notions that intellectualizing cinema to draw a more cultivated audience was anything laudable.  He continued his statement, "The quality of the entertainment is measured by the interest of the crowd form whom it was created."  Well merely 5 years before his Les Vampires did just that.  Here's part 3.




Note:  quotes taken from liner notes,  in essay written by Fabrice Zagury.

Monday, October 3, 2011

Les Vampires (1915-1916) Part 1



Dating from 1915 this actually a serial that ran into 1916.  It's what people used to do LONG  before there was television.  By the mid 1910's these really were a dime a dozen; so much so that many were simply discarded.  This French production was actually rescued from complete destruction from a trash heap by the side of the road.  

The most famous still from the film:  The Vamp Irma  Vep

It was original broken into 10 films and now the restored to disc addition by Image Entertainment runs a w'/hopping 7 hours!  I've only ever screened it through all the way once--in fact, it was a couple of Halloween seasons ago, during a crime theme as part the countdown to Halloween.  It was one epic viewing!!  



It was part of a day of crime, and not vampires, because it is a crime serial.  Yes it is laced with supernatural elements in some places, but they are subtle.  It is also a kind of vaguely super-human sort of vision of occulted crime syndicates--organized crime.  For the longest time, secret crime organizations were denied not just in Italy and the US, but in other countries as well, and France was no exception.  And this was no ordinary crime syndicate--as it is run by a woman who is called Irma Vep, whose very name is a reworking of the word "vampire."  When the serial first debuted, it was, in fact banned by the Paris police.  But the "damage" had been done.  The serial had created the character of "The Vamp"--evil women with dark hair that were always out for something that was most definitely not theirs!

Here is a Halloween special, part 1 of Les Vampires, entitled "The Severed Head."