Showing posts sorted by relevance for query cohan. Sort by date Show all posts
Showing posts sorted by relevance for query cohan. Sort by date Show all posts

Monday, July 3, 2017

Born Today July 3: George M. Cohan


1878-1942

George Michael Cohan, giant of the Broadway stage, and all round silent film renaissance man, was born on this day in Providence, Rhode Island.  Cohan pretty much did it all: he was a composer, he penned musicals, he was a stage and film actor, a film scenario writer, a librettist and he was also a motion picture producer.  He was even a big enough character to be played by several famous actors, with Mickey Rooney and James Cagney (who also played Lon Chaney Sr.) amongst them. Public records and baptismal records show that he was indeed born on the 3rd of July, but he and his family like to say that he was born on the 4th of July instead.  His parents were traveling vaudevillians and he himself was put on the stage by the age of 8--playing the violin and later as a troupe dancer.  By 1890, the family was touring under the name The Four Cohans; they continued to do this through the year 1901.  It was at this time that he and a sister made their Broadway debut.  Around this time, he coined his famous curtain exit speech "My mother thanks you, my father thanks you,, my sister thanks you, and I thank you."  Memories of a relatively happy childhood, especially the summers spent with Grandmother in North Brookfield, Mass off the touring circuit inspired his popular musical 50 Miles From Boston in 1905.  He had already had extensive experience in both skit writing and song writing for his family on the vaudeville circuit, and would eventually become a major figure Tin Pan Alley.  His most famous song is definitely "Yankee Doodle Dandy." The first time any of his work was used in a motion picture came in 1907 with Harrigan, an experimental early sound film from the UK using the Chronophone system (of Gaumont fame), showcasing his song of the same name, written in the same year. In 1916, he added film scenario writing to his credits with Officer 666; the film was directed by his brother-in-law Fred Niblo.  He first appeared in film in 1917 when he took the starring role in Broadway Jones (he had already appeared on film as himself in 1910 in the Actor's Fund Field Day).  Broadway Jones, also gave him his only film production credit.  His music was featured in the William A. Wellman 1927 epic Wings.  His play Seven Keys to Baldpate was made into the 1983 horror comedy House Of The Long Shadows, featuring the likes of Vincent Price, Peter Cushing, Christopher Lee and John Carradine--all ganging up on Desi Arnaz Jr.  His music was first featured on television with "Yankee Doodle Dandy" being used in two episodes on the 1949 season of The Ed Sullivan Show.  The most recent use of his compositions in filmed media came last year in the film Hidden Figures (2016).  Cohan lost his battle with cancer at home in his apartment in New York City on the 5th of November in 1942; he was 64 years old.  His funeral mass was held at St. Patrick's Cathedral with giants of the stage attending, amongst them Irving Berlin, Eugene O'Neill and Eddie Cantor.  He is interred in a family mausoleum at the Woodlawn Cemetery in The Bronx.  


For More:



PBS' Broadway Stars List

Leave Virtual Flowers @ Find A Grave

His Obituary in The New York Times

Monday, January 6, 2020

Born Today January 6: Fred Niblo



1874-1948 

Actor/Performer turned Director Fred Niblo, was born Frederick Liedtke on this day in York, Nebraska (sources that cite his birth name as Frederico Nobile are not correct). His early career in live theater and vaudeville gave little clue to the importance he would later have on silent cinema. He took on the name Fred Niblo very early on as a stage name; and he spent 20 years performing around the globe as a monologist using this name (this is a person that gives dramatic readings in a live solo setting--if anyone has ever watched the fourth season of American Horror Story: Freaks, then you are familiar with the concept). During this period of time he married the sister of "Broadway man" before he became a fixture on Broadway George M. Cohan. This occasioned Niblo becoming the manager of the family stage act the Four Cohans. It would be another 15 years until he would actively get into motion pictures (his first credit actually comes as a writer in 1913 for the short The Gangsters , a film starring Roscoe "Fatty" Arbuckle). His active entry into films proper actually occurred in Australia, rather than in his native U.S.; and it was in Australia that he made his first two films. He started out as a "do it all man."  He wrote, directed and starred in both films.  The first of these was the comedic drama Get-Rich-Quick Wallingford, which was released in January of 1916.  The second of these films, also released in 1916, was the comedy Officer 666.  His first film appearance in a film which he didn't direct came in 1918 Coals Of Fire, a Famous Players-Lasky production directed by Victor Schertzinger. It was also in Australia, that Niblo was hired by domestic film producers Thomas H. Ince Corp.;  and the first film that he made for them was also shot in Australia: The Marriage Ring was released in August 1918; it was also the first film that he directed in which he did not himself act. Niblo would eventually make his way back to the states, landing back in his old haunt of New York City. He would continue to make films for Ince there, sometimes using the city as a prop for a few on-location shoots.  He is also responsible for the rare "horror" film made for Ince; in 1919 he directed Enid Bennett (whom he had met and married in Australia after the tragic early death of his first wife Josephine Cohan) in The Haunted Bedroom.   Many of Niblo's later 1910's  and early 1920's films starred his second wife Enid. The first film that enthusiasts usually remember when his name as a director comes up is the 1920 Douglas Fairbanks outing The Mark of Zorro.  This film marks a turn to refinement in his directing style. He made fewer films during a year's time--spending instead more time in the crafting of his films.  He would eventually get into the production side of the business as well. His first project in that regard came on perhaps his most famous film of them all: Blood and Sand in 1922.  While Blood and Sand is a fine film--very, very well crafted--the fact that it stars Rudolph Valentino probably accounts for it's extreme fame beyond your average silent film buff (Niblo would direct that other Latin Lover  Ramon Novarro in 1924 as "the lover" in a Bess Meredyth adaptation of  Thy Name Is Woman & also in The Red Lily in 1924). After Blood and Sand, Niblo moved over to Louis B. Mayer company; with the melodrama The Famous Mrs. Fair (1923) representing the first title he directed for them.  The truly giant job of his career was as the director whose name appeared in the credits of one of the most expensive films shot to the date--it remains, adjusted for inflation, one of the most expensive in film history:  the epic Ben-Hur: A Tale of the Christ in 1925. Famously shot on location in Italy, the film actually had a bank of directors, who all had assistant directors under them; a couple of them, such as Rex Ingram were actually famous in their own right. It must have seemed in MGM's best interest to have just one director listed on posters (and I personally wonder about Irving Thalberg's possible influence here...but that is just my own speculation), but such a large project with multiple shoots going on in different locations simultaneously, could not have be pulled off at that time by just one person (or really anyone now either for that matter). Luckily history has provided us with the names of the other uncredited directors; not to say that this in any way diminishes Niblo's directorial accomplishment on the project. The film is an amazing work of art, and all concerned provided their best work.  What is interesting to me, is that Niblo was a really good director, but of more "intimate" pictures; Ben-Hur was certainly a rather large departure for him and his directing style to date. And, this was a style that he returned to the following year in the romantic drama The Temptress which stars the great Greta Garbo (he direct her again in 1928 in The Mysterious Lady).  The same can be said for his direction Norma Talmadge in Camille, which also dates from 1926.  The last film that he directed in the 1920's, and his last fully silent film, was Dream Of Love released in December of 1928; the film starred Joan Crawford.  Niblo didn't make another film until 1930, when he helmed (apparently with some "help" from Lionel Barrymore) the John Gilbert film Redemption, which was  a partial silent and by this new decade of "all talkies," a rather strange artifact for a new release.  His first all talking film also dates from 1930; ironically it was both a "b film" and a western--two types of films that he was not accustomed to working on. The film was Way Out West and starred William Haines. He only directed four more films after this, the last of which was Blame The Woman, which was a co-direction with Maurice Elvey.  He then retired from the industry. In all his time as a director, virtually no actor had a bad word to say about him. He was apparently very respectful of and patient with them. He lived another 16 years, dying in New Orleans on the 11 of November in 1948 at the age of 74 after contracting pneumonia. He is interred at Forest Lawn Memorial Park in Glendale along with the ashes of his second wife. Niblo only child with his first wife was Fred Niblo Jr.; he became an important writer of screenplays, mostly in the 1930's and 1940's. 

[photo: A.J. Find A Grave]

[photo: Scott G. Find A Grave]



Friday, July 10, 2020

Born Today July 10: Gail Kane


1883-1966

Actress of the the stage and silent screen Gail Kane (Abigale) was born on this day in Philadelphia (and if you are familiar with her, you may being doing a double take on that birth year there...apparently she fudged her age by two years, stating to producers that her birth year was 1885-her real birth year appears on her tombstone). Though known as a silent star for a brief time, she spent as much, or more, of her acting career on the stage as she did before the camera. I find it interesting, that as an accomplished stage actor, her entire film career came during the silent era--she never made a talkie.  Most stage actors who tried film acting in the silent era did not find it to their liking and went back to the stage; many came back in the 1930's with the coming of sound. Not so with Kane. Of course, this is not a mystery--she simply retired from acting altogether to raise her child in Maine; so even her stage career did not last into the age of sound film.  This is also of interest to me, because her ambitions to follow a career in acting apparently surfaced while she was still in school, and it became a path that she was absolutely determined to follow. By the time she made her film debut in 1913, she was near 30 by her telling (in reality she was 30--but I don't blame her bit for shaving off a little on her age--my own grandmother did the same); that came in the independent western Arizona, which was shot on location on Staten Island by the All-Star Feature Corporation. Her stage career, much of which was on Broadway, ran concurant with her film career. This might provide another good reason for her retiring in her early 40's--she and her husband spent most of their time in the Augusta, Maine area--which was convienent for the New York theater scene....but certainly not for Hollywood film shoots! She also performed in London and had parts in plays produced by George Cohan.  As for her film career, she was billed as an ingenue from the beginning. For example, the tagline for The Great Diamond Robbery (1914) read "Miss Gail Kane is today one of America's leading photoplay actresses"--it was just her second film appearance. Ultimately she would take roles in close to 35 films between 1913 through 1927. In the first years of her film career, she was directed by a number famous directors, including Travers Vale (The Men She Married), Emile Chautard (The Heart of a Hero), George Fitzmaurice (Via Wireless) and Maurice Tourneur (The Pit & The Velvet Paw).  She also played identical twins in The Scarlet Oath; one the first times that this acting technique was employed and one that remains almost completely unique to film, since, obviously, this is much harder to pull off in live performance. In 1917 she signed a contract with Mutual out in Hollywood and began making films with their production house American Film Company, the first of which was Whose Life?.  After some skirmishes in Hollywood that involved contract breach by Mutual, she was back to making films in New Jersey the following year. When Men Betray (1918) was made for the independent company Graphic Films, shot on location in Lakewood, New Jersey and written and directed by Graphic founder Ivan Abramson. Although not written widely about, Kane started her own production company in 1918 and the production house produced two films in which she appeared that year: Love's Law and The Daredevil, both directed by Francis J. Grandon.  As her stage career picked up in the New York area, her film career slowed. She only appeared in one film in 1920: Empty Arms; and only two films in 1921:  Idle Hands and Wise Husbands. Her most prolific time on the stage however came during the years 1923 and 1927, when she appeared in no films at all after she had a role in the Lillian Gish film The White Sister.  During this time, she acted in at least 6 major stage productions--most of them on Broadway. One hitch came on cold night in February 1927, when the New York police raided (probably illegally) two major productions on supposed violations of local "morality laws." Arrested along with Kane were the likes of Winifred Fraser, Basil Rathbone, Mae West and a distraught Helen Menken (my, I would give anything to travel back and time to be a fly on the wall when those coppers got West downtown!!). After this incident, Kane made just one more film appearance, and swore off the stage altogether. For the first time in her career, she took the role of an older woman, playing "Mrs. Weyeth" in a World War I set drama Convoy which was released in April of 1927 (it is among the list of films listed as lost).  She then retired for good with her little family to Augusta, Maine, where she remained for the rest of her life.  Kane passed away from natural causes on the 17 of February 1966 at the age of 82; she is buried next to her husband, whom she lost in 1939, at Augusta's Saint Marys Cemetery.

[Source: Dapper (Find A Grave)]

[Source: Dapper (Find A Grave)]


IMDb 



Saturday, July 25, 2020

Born Today July 25: Johnny Hines


1895-1970

Young comedic actor of the silent era John F. (Johnny) Hines was born on this day in Golden, Colorado.  Despite his relatively young age, the vast majority of his career was spent during the silent era. But during this time, he was in a number of films of note and was directed by a number of notable figures of the era. In fact, his debut came in a 1914 Ralph Ince film:  Lincoln, the Lover, a short that Ince wrote, directed and starred in as Lincoln.  He then landed a role in an early Maurice Tourneur feature Man of the Hour (1914); Tourneur then hired him for his next film The Wishing Ring: An Idyll of Old England (1914); both parts were in supporting roles, but they certainly got him noticed (Tourneur would go on to use him as a stock player throughout the teens). He next showed up in a Emile Chautard film (after appearing in another Tourneur effort): The Arrival of Perpetua was a feature length comedy starring Vivian Martin. Some of the other directors that he worked with during this part of his career include: Frank Hall Crane, James Young, Travers Hall, George Archainbaud, Romaine Fielding and Dell Henderson. His older brothers were actor Samuel E. Hines and director Charles Hines.  In fact, Johnny began the new decade of the 1920's by agreeing to star in a series of shorts featuring a comic character name "Torchy"--some (or all) of them were directed by his brother Charles, the first of which was Torchy Comes Through in 1920. The Torchy series ran through 1922 and numbered over 20 small films (he only had two credits during this time that were not in the character: Burn 'Em Up Barnes & Sure-Fire Flint).  By the time he "emerged" from the role, he was considered solid leading man material.  He landed the leading role in the 1923 film version of Little Johnny Jones and adaptation of a George M. Cohan play that had been a huge hit on Broadway; Hines even got the opportunity to direct some of it (it was not his directorial debut; that came in 1917 on A Rag, a Bone and a Hank of Hair, a comedy short; he was also rumored to have directed a small portion of Barnes as well).  He added writing to his credits the following in year with Conductor 1492, a film that was co-directed by his brother Charles (this would be his only writing credit during the silent era).  After this, he became Charles' go-to leading man, who made a cottage industry out directing his younger brother in films (mostly comedies) that featured Johnny's face on the posters. The first of these was The Speed Spook in 1924.  Some of them, like White Pants Willie (1927), contained a few new film innovations like early technicolor sprinkled in; and most of these were made for C.C. Burr Productions. The last film that he appeared in during the 1920's was the early talkie Alias Jimmy Valentine in 1928 (the second remake of the famous film--Hines had appeared in the first version in 1915); the film was the first all sound film for MGM.  His first film in the new age of sound came in another comedic short Johnny's Week End (this was one of Al Christie's little comedy shorts that were produced during this time for Paramount to compete with other studios putting out similar all talking material--please see the entry for Evelyn Preer for more about these little films)--the film was directed by Christie Film Co. stock director William Watson. RKO's The Runaround (1931) was his first feature film of the new decade; but, for whatever reason, his transition to sound did not fair well.  His last major film appearance came in the Clark Gable/Myrna Loy adventure comedy Too Hot to Handle in 1938.  He kicked around in the business for a little while in 1940's--doing some writing and directing--before retiring. The fact that both of his brothers died in the 1930's could not have helped. He, on the other hand, made it the age of 75, when died on the 24th of October of a heart attack.  He buried at the Catholic Calvary Cemetery in Los Angeles (for a goodly part of the 1930's, Hines was also a vice-president for the Catholic Motion Picture Guild of America).






Sunday, January 31, 2021

Born Today January 31: Gypsy Abbott

 


 1896-1952
 
Stage and silent film actress Gypsy Abbott was born on this day Atlanta, Georgia. Her career started in vaudeville before she was ten; she showed a remarkable talent for comedy and stayed with the genre for her entire acting career. By the time she was in her teens, she had also moved into regular stage work; eventually working for E.H. Sothern's company (Sothern was a famous Shakespearean specialist). She later worked on a touring production of the musical Little Johnny Jones, written and produced by Broadway man George M. Cohan.  She entered the film business at just the age of 17 (nearer 18) in the Balboa Amusement short The Path of Sorrow (December 1913).  She met actor Henry King, who was ten years her senior, on the set and would marry him the following spring. They would go on to have three or four children and remain married until her untimely death in the early 1950's.  Both of their careers acting in film would not out last the silent era, though Abbott's film career didn't last past the end of the decade, with her active years in the business were 1913 through 1917.  Abbott is most well known for her time spent with the Mutual Film distribution company, working under the production house of Vogue Motion Picture Company making short comedies with the likes of Ben Turpin; but she did not start working with them until half way through 1916.  In the meantime, she continued to make films (mostly) at Balboa. Almost all were shorts, but she also appeared in the odd serial, and one of her better known films from the era was St. Elmo (May 1914) directed by J. Gordon Edwards who would go on to famously direct a number of Theda Bara films at Fox. She also had a role in The Man Who Could Not Lose, released in November of 1914, and directed by Carlyle Blackwell.  As far as her serial work is concerned, the six hour long Who Pays? from 1915 is notable, because he husband wrote it and was one of the directors, in addition to being a member of the cast. King would go on to be one of Hollywood's most prolific directors, working into the early 1960's.  Abbott and King continued to work in films together in the mid-1910's, appearing with a few others of note including: Dorothy Davenport, Ruth Roland and Ed Brady who became well known later on in poverty row films of the 30's. The pair even appeared in one film--Letters Entangled--with Mary Gish, the mother of Lillian and Dorothy Gish. Abbott did act during this time sans her husband as a cast member, the melodrama Beulah (May 1915) being a prime example. Her first appearance in a Mutual film was not in one their signature comic shorts, but rather in a melodrama, Vengeance Is Mine!--made by David Horsely and Centaur and staring Crane Wilbur in 1916.  Her first turn in the signature Vogue Mutual comedy short with Turpin came in For Ten Thousand Bucks, released later that year at the end of July. Mutual is very well known as a company that distributed a number of Chaplin shorts; and another frequent co-star of Abbott's in these little comedies was the Irish born Paddy McGuire who also appeared in a number of Chaplin shorts in the 1910's. In her Vogue short, she appeared with both Turpin and McGuire in When Ben Bolted (April 1917) directed by actor/director Robin Williamson. Her last film role altogether was as Lorelei in the melodrama with fantasy elements Lorelei of the Sea starring Tyrone Power Sr. She then retired to raise her growing family, content with being the wife of an up and coming director. Abbott died at the just the age of 56 in Hollywood on the 25th of July in 1952 (cause of death undisclosed). She is buried at Holy Cross Cemetery in Culver City. 

Abbott with Crane Wilbur in Vengeance Is Mine!

[Source: AJM (Find A Grave)]

 

Tuesday, June 27, 2017

LIST


Graves Of Silent Stars


*sorted by Cemetery


Allegheny Cemetery Pittsburgh, Pennsylvania 


Lillian Russell

Alter St.-Matthäus-Kirchhof Berlin, German

Jacob Grimm (on right--The Brothers Grimm)

Jeanne Eagels under her birth name of "Eagles"

Former resting place of John Barrymore, now empty

Dolores Costello


Elaine Hammerstein

Lola Lane

Ramon Navarro

Calvary Cemetery Queens, New York City, New York

Una O'Connor (listed under birth name first)



June Marlowe


Corsier Cemetery Corsier-sur-Vevey, Switzerland 

Charlie Chaplin

Deansgrange Cemetery Dublin, Ireland

Grave of Barry Fitzgerald (under his birth name)


Duck River Cemetery Old Lyme, Connecticut


Elsie Ferguson

The Evergreens Cemetery Brooklyn, New York

Guy Coombs

Etna Town Cemetery Etna, California

John Emerson

Ferncliff Cemetery, Hartsdale, New York

Richard Barthelmess

Joan Crawford

Judy Garland

Basil Rathbone


Wally Albright


George Archainbaud

Clara Blandick


William Boyd


Clarence Brown

Johnny Mack Brown
Frances X. Bushman
David Butler


Lon Chaney Sr.


Julia Dean

Marie Dressler


Romaine Fielding

W. C. Fields

Clark Gable

John Gilbert

Alan Hale Sr.


Alice Hollister

Rex Ingram (Director)


Doris Kenyon


E. K. Lincoln


Carole Lombard


Anita Louise

Rouben Mamoulian

Victor McLaglen


Merle Oberon


Charles Ogle

Nance O'Neil



Ruth Roland


Lewis J. Selznick

Lowell Sherman

Irving Thalberg

Ben Turpin

Grant Withers

Ed Wynn

Forest Lawn Memorial Park Hollywood Hills, CA

Lloyd Bacon

Mary Brian

Reginald Denny

Robert Florey


Buster Keaton

Kenneth MacDonald


Guinn "Big Boy" Williams

Forest Home Cemetery Milwaukee, Wisconsin

Charles King


Flushing Cemetery Queens, New York


Muriel Ostriche
Golders Green Crematorium Golders, Greater London, England, UK


Frederick Kerr


Graceland Cemetery Chicago, Illinois

William Pinkerton


Grand View Memorial Park Glendale, California


Edna Purviance

Green-Wood Cemetery Brooklyn, New York

Frank Morgan

Ralph Morgan

George Francis Train


Erville Alderson



Leah Baird

John W. Boyle

Émile Chautard



Harry Cohn


Bebe Daniels



Douglas Fairbanks Sr.

Douglas Fairbanks Jr.

Janet Gaynor


Roscoe Karns


Benjamin H. Kline



Edgar Lewis

Tyrone Power

Mickey Rooney


Phil Rosen

Elijah Tahamont aka Dark Cloud

Estelle Taylor

George Loane Tucker

Rudolph Valentino

Clifton Webb


Fay Wray

Holy Cross Cemetery Culver City, California

Frank Albertson

Mary Astor

Ray Bolger

Gary Cooper, former tomb, is now empty, he was reburied in Southampton, New York


Bing Crosby

Wallace Ford

Henry King


Rudolph Maté

Winfield Sheehan


Home Of Peace Memorial Park  Los Angeles, California


Harry Rapf


Ivy Lawn Memorial Park Ventura, California


Ethel Clayton

Kensico Cemetery Valhalla New York



Lee Beggs

Billie Burke


May Irwin

Ikegami Honmoji Temple Tokyo, Japan

Kenji Mizoguchi


Maryrest Cemetery Mahwah, New Jersey


Grave of Alice Guy

Mount Hebron Cemetery Queens, New York

Bertha Kalich

Panteón de Dolores Mexico City, Mexico

Lupe Velez

Private Burials Or Singular Burials

Will Rogers Will Rogers Memorial Museum Claremore, Oklahoma

Leland Stanford Campus of Stanford University, Stanford, CA

Rockland Cemetery Sparkill, New York

Henry Hull

Rosehill Cemetery Chicago, Illinois

Milton Sills



San Fernanado Mission Cemetery Los Angeles, California

Alice Joyce

Sleepy Hollow Cemetery Sleepy Hollow, New York

William A. Brady


St. Agnes Cemetery Mennads (greater Albany), New York

Robert G. Vignola

St. Leonard's Church Hove, Sussex, England

C. Aubrey Smith


Valhalla Memorial Park North Hollywood, CA

Yakima Canutt

Cliff Edwards

Oliver Hardy

Dell Henderson

Kermit Maynard

Sam McDaniel
Mabel Paige

William Tracy

Woodlawn Cemetery
 The Bronx, New York

Herbert Brenon


Harry Carey

George M. Cohan, family Mausoleum 

Ricardo Cortez

Roi Cooper Megrue

Woodlawn Cemetery Santa Monica, California

Paul Fix

Florence Lake