Showing posts with label A Christmas Carol (1910). Show all posts
Showing posts with label A Christmas Carol (1910). Show all posts

Friday, July 24, 2020

Born Today July 24: Marc McDermott



1871-1929

Handsome Australian born actor Marc McDermott was born in Goulbum, New South Wales on this day ("Marc" is simply short for Marcus).  As a young adult, McDermott found himself working in a Sydney hair salon, where he developed an interest in theater through various theater workers who frequented the shop. Starting out as an amateur, he got pulled further and further into stage acting, until he found himself on tour professionally.  This work eventually took him to the London stage and on to to New York in 1902 for stage work there. It was not long before he made his official Broadway debut in 1903. He spent the next six years performing in both London and New York. In 1909 he was approached by the then expanded Edison studio for film acting work, and made his film debut in a J. Searle Dawley directed and adapted Lochinvar opposite Marry Fuller (another film made at the Edison facility in 1909 starring McDermott and Fuller--The House of Cards--was included in the Kino/MoMA 2005 release Edison: The Invention of the Movies and yet another Edison short from 1910 featuring McDermott--The Stenographer's Friend can be found in the box set More Treasures from American Film Archives released in 2004) .  McDermott would remain at for years at Edison, though he does appear November 1909 release of Vitagraph's Les Misérables, directed by J. Stuart Blackton.  Probably his best known early film role came in Edison's 1910 version of Dickens holiday classic A Christmas Carol in the role of Scrooge himself (yet another film preserved for a our viewing pleasure today and released on a disc of silent Christmas classics put out by Kino Video). McDermott was again teamed up with Mary Fuller in 1912 in the very first serial ever produced in the United States in What Ever Happened to Mary was a series of 12 one-reelers; the cast included Bliss Milford and Charles Ogle (McDermott was also a player in another Edison serial: The Man Who Disappeared released in 1914). By 1915, he was appearing in feature length Edison productions--mostly melodramas.  Edison's film company shuttered it's film production operations in 1918, but McDermott left for Vitagraph permanently in 1917, with Builders of Castles, released in spring of 1917, being his last Edison appearance.  He did not stay with the studio long, soon moving on the Fox (he did make one film with Norma Talmadge and her production company in 1919: The New Moon). His first contract film with Fox was a Theda Bara vehicle, Kathleen Mavourneen (1919); the film was directed by Charles Brabin, who would go on to add McDermott to his frequent cast of players.  Throughout the 1920's he was mostly a supporting player in roles ranging from very small to quite large. A few of theses films stand out, including: Hoodman Blind (1923) a lesser known John Ford, Dorothy Vernon of Haddon Hall (1924) a Mary Pickford film, The Sea Hawk (1924), The Lady (1925) another Norma Talmadge film (he was actually in a number of her films in the 1920's), The Temptress (1926) with Greta Garbo and The Taxi Dancer (1927) a New York melodrama with Joan Crawford. By far the biggest production of his career during this time came in Victor Sjöstrom's He Who Gets Slapped in 1924, in the role of Baron Regnard.  His final film was another Charles Brabin project, The Whip; released in September of 1928. McDermott had been visibly ill during the filming of The Whip and succumbed to an illness that eventually was admitted to being cirrhosis of the liver on the 5th of January, 1929 (there appears to have been some odd combination of a misdiagnosis combined with a half-hearted cover up that failed no long after his passing that has led to several different versions of contributory death factors--including an operation, that appears to have never taken place).  He was cremated and interred at the Great Mausoleum at Forest Lawn Memorial in Glendale. He was 57 years old. From 1916 to 1921, he was married to actress Miriam Nesbitt. [Note: there are sources that cite his birth year as 1881, but a number of other sources, along with events in his life in Australia point to his birth year actually being ten years earlier--so I will go with that for now, as his burial plaque contains none of this information]. 

[Source: A.J. (Find A Grave)]


[Source: A. J. (Find A Grave)]


IMDb 


Monday, June 5, 2017

Born Today June 5: Charles Ogle


1865-1940

Giant of the early silver screen Charles Stanton Ogle was born on this day in Steubenville, Ohio, the son of a minister.  Ogle, of course, was a stage actor before acting in film and he made his successful Broadway debut in 1905. Ogle made his film debut in 1908, when he went to work for the Edison Manufacturing Company under contract--one of the first actors to sign such a contract with a studio (the first studio, no less).  The Boston Tea Party, a short historical drama, was released in July of that year and directed by Edwin S. Porter.  Under this contract he would assay a number of well know roles from works of literature.  Probably the most famous is that of Frankenstein's Monster in the very first film of that book.  Frankenstein dates from 1910 and was directed by J.Serle Dawley.  The film featured some truly impressive special effects for the day; Ogle created the makeup for the role himself--and he did a great job (!)--a tradition that was still going strong in the 1920's (see, for example, the many photos of Lon Chaney Sr. [an actor Ogle would later work with] and his portable make-up kit).

Ogle as The Monster

That same year, Ogle would go on to play the meek, hardworking, rather pathetic Bob Cratchit from Charles Dickens immortal Christmas classic A Christmas Carol  ; he played opposite Marc McDermott's Scrooge (McDermott was actually a much younger actor than Ogle).  He had no shortage of work at Edison!  By 1912, he found himself the star of What Happened To Mary, the first serial ever produced.  With the serial turning out to be a great marketing plan to the public (Edison quickly noticed that they were quite addictive), a larger serial thriller was planned and executed in 1914 with The Man Who Disappeared, both Ogle and McDermott [who was the star] appeared in it.  The last film that he made for Edison was also in 1914, he played Ragnarr in The Viking Queen.  After this, he and his frequent co-star Mary Fuller--who he had been working with since the beginning of his film career--absconded to Victor Film. The company had a distribution deal with Universal, and indeed, the first film that they made for the studio--The Witch Girl (1914)--was distributed by Universal.  By 1917, he was with Jesse L Lasky's company.  The first confirmed feature length film that he is known to have acted in was A Romance Of The Redwood (1917), a Mary Pickford film directed by Cecil B. DeMille; the film is 1 hour 10 minutes long.  In 1920, he appeared as Long John Silver in Treasure Island, a film which also featured Chaney Sr.  Throughout the 1920's he fell easily into character acting; with the last film that he appeared in coming in 1926 with The Flaming Forest.  With his retirement in 1926, in all he had appeared in more than 300 films.  Ogle lived a further 14 years in Long Beach, California, where he died from arteriosclerosis on the 11th of October in 1940.  He is buried at the Forest Lawn Memorial Park.



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Friday, December 16, 2011

A Christmas Carol (1910)

Due to family issues and a lot a fall and winter illnesses I have blown through one important holiday on this blog; and have almost blown through another.  Before it gets too late, here is the first in an installment of Christmas silents.



I'd like to write out a longer bit on this little 10 minute film from Edison's company; but I'm still having symptoms from a very bad stomach virus that I suffered over the weekend and just don't have the energy at the moment.  I will say that this is not the earliest film of the classic Dickens holiday tale, as it stated in several places in print and around the web, but it is the most important of the earliest "Christmas Carol's; and, probably, the only one to survive.  The earliest appears to date from 1908 and was produced by rival American company Essanay, who one Charles Chaplin would work for.  Some still below.  Whole film follows.  Merry Christmas!